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The season will kick off in October with Cuban dance legend Alicia Alonso’s adaptation of “Giselle” (Oct. 16-18). Silicon Valley Ballet will be the first American company to present Alonso’s version of the classic tragedy, and the collaboration will mark one of the first between an American performing arts company and Cuba since the 1950s. The season will also include a revamp of Karen Gabay’s version of the holiday chestnut, “The Nutcracker” (Dec. 12-27), with new sets and costumes; a program consisting of a trio of works — Balanchine’s “Who Cares,” Annabelle Lopez Ochoa’s “Prism” (a company premiere) and Ohad Naharin’s “Minus 16” — (Feb. 19-21, 2016); a reprise of the program titled “Bodies of Technology” featuring Amy Seiwert’s “This Might be True” (March 25-27, 2016); and the West Coast premiere of Septime Webre’s “ALICE (in wonderland),” drawn from the beloved kids’ story (April 29-May 1, 2016). Subscriptions, ranging $75 to $440, are on sale. Single tickets go on sale Sept. 8. Details are available at www.balletsj.org.

Annual LEGO Holiday Extravaganza, Museum of American Heritage, 11 a.m.-3:30 p.m, Fridays-Sundays, through Jan, 19, Museum of American Heritage, 351 Homer Ave., Palo Alto, $2, www.moah.org or 650-321-1004, San Mateo County History Museum, Charles Parsons’ “Ships of the World Gallery.” Opens, March 16 with a family day with free admission, 24 model ships created by Charles Parsons, with murals painted by Fred ballet shoes svg, ballerina svg, ballet shoes svg, ballerina shoe svg, dancer svg, classic svg, dance svg, cricut, silhouette cu Sinclair, interactive stations for children, and photos and videos depicting South San Francisco shipbuilding, San Mateo County Coastside shipwrecks and the Port of Redwood City, 2200 Broadway, Redwood City, www.historysmc.org or 650-299-0104..

“When I retired,” she said, “one of my goals was to reach out and expand as an independent director and choreographer, stuff I couldn’t do before”. As it happens, Scott has former students scattered around the world, including quite a few based in New York. One of her former students, Patrick Klein, an actor she had employed at Cabrillo Stage, where she has done a lot of work as a director, choreographer and performer, is now artistic director at Palo Alto Players. “He called me and said, ‘Would you consider doing something at Palo Alto Players?” Scott said.

There were some nice moments early on, such as when he blended “Little Red Corvette” (from 1983’s “1999”) with the title track to 1980’s “Dirty Mind.”, Things got even better once he basically dropped the autobiographical accompaniment and just stuck to singing the songs, Prince sounded terrific at the piano — which might have come as a surprise to those who know him mainly for his face-melting guitar riffs — and he sounded even better at the microphone, His vocals were clear, yet soulful, and he handled a wide variety of material, slowing ballet shoes svg, ballerina svg, ballet shoes svg, ballerina shoe svg, dancer svg, classic svg, dance svg, cricut, silhouette cu down up-tempo favorites and burning through big ballads, He played a number of his top hits, like “Raspberry Beret” and “Purple Rain,” and he also dusted off some rarities, including the showstopper “It” (from 1987’s “Sign o’ the Times”)..

They were in good company, considering the troupe’s sterling performances of the national dances in Act 3 and in the Act 1 Pas de Trois with Dores André, Taras Domitro and Sasha De Sola, who combined impeccable technique with virtuosic style. Friday’s cast of signets — the iconic quartet of swans who crisscross the stage with clockwork precision in heads and feet — captured the ballet’s ingenious choreography, its complex poetry and the marvel of beautiful dancing. We have Ellen Rose Hummel, Lauren Parrott, Julia Rowe and Emma Rubinowitz to thank for that.