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To quote the timeless wisdom of the Village People … you can’t stop the music. Dawn Noel says she was hired to dance in the video for Spears’ hit “Work Bitch” and showed up for rehearsal Aug. 19. at a studio in Woodland Hills, according to TMZ. She and other dancers reportedly worked on their moves for several hours before Spears arrived “in a disheveled and confused state,” and had considerable difficulty executing even basic moves, she says. So this was unexpected because … .

Art History Group: Led by Kathy Kelley, author of “Art History Through ballet flats no toe cleavage the Ages.” Meets the second Monday of every month, 3-4:30 p.m, Adult Recreation Center, 208 E, Main St., Los Gatos, Free to 55 Plus Program members; non-members $5 per meeting, Free parking, 408-354-1514,, Learn Hindi: Instructors Dhawal Tyagi and Ashutosh Shastry lead a weekly free Hindi language class for beginners, open to all Saratogans, Sundays, 5-6 p.m, Saratoga Community Center, 19655 Allendale Ave., Saratoga, RSVP is required to,

Billy Dee Williams and Emma Slater — cha cha cha. I’m afraid that this was the low point in the show. Resorting to a “Star Wars” theme with stormtroopers, Wookies and even R2D2 to sell the routine, even Emma in a Princess Leia outfit couldn’t disguise that Billy Dee walked his way through it. Bruno said he needed to play it up bigger, Carrie Ann said they needed a “little more from you next week” and Len said he was on time and didn’t forget the routine. I think Billy Dee is this season’s senior celeb who could go out early.

By the time he played his third song, “Rock Your Body,” the former N’ Sync singer clearly had his groove — and falsetto — dialed in, Backed by the tuxedoed ballet flats no toe cleavage Tennessee Kids — and their fantastic four-piece horn section — Timberlake ran through his solo material, including last year’s “The 20/20 Experience,” on a long, linear stage set that emphasized the performers without too many special effects (though the movable stage section was pretty cool)..

Not unlike young people today, “West Side Story’s” members of rival teenage street gangs Jets and Sharks feel angry, displaced and itching to strike out at their perceived enemies. A story as old as, yes, “Romeo and Juliet.”. So although there’s really nothing new about the story line in Hillbarn Theatre’s current production of the Arthur Laurents-Leonard Bernstein-Stephen Sondheim socko-1957 Broadway hit “West Side Story,” there are some small pleasures and a splendiferous voice to appreciate in the tiny package of delightful Ana Paula Malagon as Maria. As one admiring audience member marveled at intermission, “Boy, has she got a great set of pipes!”.